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Celebrating the pipe organ, the King of Instruments |
West of Munich, the city of Fürstenfeldbruck (with a present-day population of 35,494) originated as the old bridge village, Bruck, which served as a mid-12th century customs station on the so-called “salt street” from Munich to Augsburg. In medieval times the region was a clerical state ruled by the Cistercian abbey of Fürstenfeld, which was founded in 1263. When the clerical states of Germany were dissolved in 1803, the territory was annexed by Bavaria. On October 1, 1935, Fürstenfeldbruck became a city and today is the European management center for the American firm National Semiconductor, also home to a Coca-Cola bottling plant and an air force base (site of the tragic ‘Munich Massacre’ during the 1972 Summer Olympics). The monastery of Fürstenfeld, a masterpiece of Bavarian baroque architecture and one of Bavaria’s most magnificent churches, achieved it’s present
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The Gothic city church has been built between 1458 and 1488 at the site of two previous church buildings. From these older churches (late 13th century) several parts are preserved like the lower part of the tower, the tympanon and the baptism font. Between 1678 and 1708, the church’s interior has been rebuilt in Baroque style. The precious stained glass windows in the chancel are from 15th and 16th centuries.
When in the course of the church’s Baroque rebuilding a new high-altar had been built in 1678-80, a new Baroque organ on the west gallery had been built as a counterpart by David Jacob Weidtner from Augsburg in 1689. In the following decades, this organ had been repaired and rebuilt by Johann Pez (1701), Alexander Holzhey (1767) and Franz Thoma (1782). When the Weidtner organ became unplayable, Jakob Kölbl from Wessobrunn built a new instrument in 1792. Paul Hörmüller from Landsberg repaired the organ in 1800 and added to this 15-stop-organ (still in the case of Weidtner, 1689) further 3 pedal stops and two positiv cases on the gallery with 6 stops each. Hörmüller also built a new choir organ with 8 stops in 1849, placed on the North choir gallery, which replaced an older instrument from Alexander Holzhey (1762).
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The Benedictine abbey, near Memmingen in the Bavarian Alps, was founded in 764 by Blessed Toto, and dedicated to Saint Alexander, the martyr. It was created as a family monastery of the counts Silach. Monks came from the Bodensee ares, i.e. Saint Gallen and Reichenau. In the 11th century, Abbot Adalhalm restored the decaying buildings and began the construction of a chapel dedicated to Saint Nicolas that was consacrated in 1126. While a laxity in discipline was setting in, his successor, Abbot Rupert I introduced the Hirsau reform. A religious bloom followed that reached its peak under the direction of Abbot Isingrim In 1153, and again in 1217, the abbey was consumed by fire. In the 14th and 15th centuries, the abbey declined considerably. Under Abbot Leonard Wiedemann (1508-46), the abbey began to flourish again: he erected a printing establishment and a common house of studies for the Swabian Benedictines.
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Saint Matin’s Chapel was first mentioned in the 8th century and was replaced in 1176 by a larger edifice. The chancel and tower of today’s church were completed at the end of the 14th century, and the whole church was further enlarged during the entire 15th century: the Gothic city church was completed in 1500. Ornamental decoration and oil paintings were added to the interior in 1587 and 1708 respectively. The church tower is a prominent landmark of the town of Memmingen, with a clock face dating from 1524 and the octogon spire (home of the night watchman during the Middle Ages) from 1537.
The first significant organ in Saint Martin was mentioned in 1598. Exactly 400 years later, the present organ was completed, another remarkable instrument of 62 speaking stops built by organbuilder Goll from Lucerne, Switzerland. The organ was inaugurated on November 8, 1998.
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