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1929 Skinner organ at Woolsey Hall, Yale University
This week’s program redirects Richard Wagner’s focus to an instrument which sounds as lofty as any of as his own artistic ideas. Unlike Bach, Wagner never composed for solo organ but LIKE Bach his music adapts well to transcription. Listen to and enjoy your favorite overtures, choruses, arias and scenes convincingly transformed by such keyboard greats as Thomas Murray, Simon Preston, Carlo Curley and Anthony Newman.
Hold onto your horses. It’s opera without singers, pipes without preludes and fugues, and an atypical anomally as some of the grandest 19th century music is magically transformed in a manner possible only in the realm of the King of Instruments. This week we discover a surprise in every measure when we find Wagner at the Console.
RICHARD WAGNER (arr. Thalben-Ball): Entry of the Guests/Grand March, from Tannhaüser –Thomas Murray (1929 Skinner/Woolsey Hall, Yale University, New Haven, CT) Priory CD-338
WAGNER (arr. Lemare): Pilgrims’ Chorus, from Tannhaüser –Simon Preston (1984 Harrison/Westminster Abbey, London, England, UK) London CD-430145
WAGNER (arr. Fox): Evening Star, from Tannhaüser –Virgil Fox (Aeolian-Skinner Opus 1118/Riverside Church, New York, NY) EMI Classics CD-65426
WAGNER (arr. Thalben-Ball): Bridal Chorus, from Lohengrin –George Thalben- Ball (1929 Willis/Alexandra Palace, London, England, UK) Beulah CD-1PD5
WAGNER (arr. Nordwall): Act III Prelude, from Lohengrin –Jonas Nordwall (Wurlizter/Vollum Studio, Portland, OR) Organ Grinder CD-111
WAGNER (arr. Lemare): Die Meistersinger Overture –Anthony Newman and Friends (1954 Aeolian-Skinner/Cathedral of Saint John the Divine, New York, NY) Columbia MS-33268 (out-of-print)
WAGNER (arr. Curley): Liebestod, from Tristan und Isolde –Carlo Curley (1933 E.M. Skinner/Girard College Chapel, Philadelphia, PA) Argo CD-430200 (out-of-print)
WAGNER (arr. Cailliet): Elsa’s Procession to the Cathedral, from Lohengrin-Ridgewood Concert Band/Christian Wilhjelm, conductor; David Fedor Pro Organo CD-7055
FRANZ LISZT: Am Grabe Richard Wagners –Gregory D’Agostino (1976 Moeller/National City Christian Church, Washington, DC) Centaur CD-2246
LISZT/WAGNER: March to the Holy Grail, from Parsifal –Justin Bischof (1988 Kleuker-Steinmeyer/Tonehalle, Zürich, Switzerland) Ethereal CD-106
WAGNER (arr. Thalben-Ball): Ride of the Valkyries, from Die Walküre –Anthony Newman (1954 Aeolian-Skinner/Cathedral of Saint John the Divine, New York, NY) Columbia MS-33268 (see above)
Though Richard Wagner did include a noteworthy organ part in his opera Die Meistersinger von Nürnberg, his vision was directed towards areas other than the organ loft. We’ll forgive him…if he’ll forgive us!