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1693 Schnitger at the Saint Jacobi Church in Hamburg
When you’ve got it, flaunt it. As a center for trade and diplomacy, the seventeenth-century north German port of Hamburg was one of the most prosperous independent cultural centers of Europe. As a city, it supported composers like Scheidemann, Praetorius and Reincken who, in turn, provided the foundations of a German Baroque style. This week, we sample the musical life of this cosmopolitan Hanseatic center and hear some of the music and instruments for which the city was, and remains, famous.
Guy Bovet, Douglas Bush, Gustav Leonhardt and Julia Brown play upon a proud cultural tradition, and we serve up delectible samples from our Hamburger Hotdish.
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HEINRICH SCHEIDEMANN: Praeambulum in d –Julia Brown (1976 Brombaugh/Central Lutheran Church, Eugene, OR) Naxos CD-8.554548
MATTHIAS WECKMANN: Gelobet seist du, Jesu Christ (3 verses) –Wolfgang Zerer (1693 Schnitger/Saint Jacobi Church, Hamburg, Germany) Naxos CD-8.553849
J.S. BACH: 4 Chorale-preludes, (Herr Gott, nun schleuss den Himmel auf, S. 1092; Wer nur den lieben Gott, S. 691; Liebester Jesus, wir sind hier, S. 730/731); Fantasy in G, S. 572 –Douglas Bush (1693 Schnitger/Saint Jacobi Church, Hamburg, Germany) Sanctus CD-11112
JOHANN ADAM REINCKEN: Toccata in G –Robert Bates (1995 Fritts/Stanford University, Stanford, CA), David Yearsley (1984 C.B. Fisk/Memorial Church, Stanford University, CA) Loft CD-1008
J.S. BACH: Fantasia & Imitatio in a, S. 563; Sonata in a, S. 967 –Gustav Leonhardt (1693 Schnitger/Saint Jacobi Church, Hamburg, Germany) Sony Classical CD-66262
GUY BOVET: Hamburger Totentanz –John Scott (1928 Welte-1964 Möller-1983 Gould & Schultz/Episcopal Cathedral of Saint Mark, Minneapolis, MN) Pipedreams CD-1002
HIERONYMUS PRAETORIUS: Magnificat for Saint Michael’s Day –Weser-Renaissance Ensemble, Bremen/Manfred Cordes, conductor; Jörg Jacobi (1618 Evers/Warnfriedkirche, Osteel, Germany) cpo CD-999 649