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in the Meyerson Symphony Center
On this Pipedreams program we cover 500 years of Iberian repertoire. From the 16th and 17th century antiquities of Antonio de Cabezon and Juan Cabanilles to the modern Easter outbursts of Jose Antonio de Donostia, we explore the seldom-played music of Spanish composers on Spanish-style instruments here in the United States.
Trumpet fanfares from the Old Country take on a new aura played on stylish instruments in North Carolina, California, Ohio and Texas. From Cabezon to Donostia, we celebrate 500 years of Spanish Music in the New World, extraordinary sounds this week on Pipedreams.
ANONYMOUS (@1700): Entrada de clarines. CABEZON: Tiento I. CABANILLES: Xácara –Robert Parkins (1976 Flentrop/Duke University Chapel, Durham, NC) Naxos CD-8.550705
CABANILLES: Tiento de batalla de octavo tono –John Butt (1988 Greg Harrold Spanish Style organ [Opus 11]/Pacific Lutheran Theological Seminary, Berkeley, CA) Harmonia Mundi HMU- 907047
HEREDIA: Salve de lleno de primero tono. LIDON: 3 Pieces (Offertorio; Elevacion; Allegro). BRUNA: Letanias de la Virgen –Montserrat Torrent (1991 Collon/Saint Francis Chapel, John Carroll University, Cleveland, OH) (recorded 9/8/91 in concert)
LIDON: Preludio y fuga sobre el Pange Lingua espanol. DONOSTIA: 2 Pieces (Dulcelignum; Exsultemus et inetemur in Domino). SESSÉ: Preludio, Andante y ‘Ave Maris Stella’ –Linton Powell (1992 C.B. Fisk/Meyerson Symphony Center, Dallas, TX)(recorded 10/4/92 in concert)
This program was originally issued as #9403 in January 1994.