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1964 Moeller organ at the National Shrine of the Immaculate Conception, Washington, D.C.
Tune in and celebrate contributions made to the art of the organ by African-American composers and performers.
THOMAS KERR: Selections from Suite Sebastienne (Theme & Cantus; Frolicking Flutes; Reverie for Strings; Procession of the Gargoyles) –Mickey Thomas Terry (1964 Möller/National Shrine of the Immaculate Conception, Washington, DC) MPR Archive
EUGENE HANCOCK: Sometimes, I feel like a motherless child. WILLIAM B. COOPER: 2 Pieces (Toccatina; Pastorale) –Mickey Thomas Terry (1970 Aeolian-Skinner/National Presbyterian Church, Washington, DC) MPR Archive
NOEL DaCOSTA: Generata for Organ and Strings (1958); Ukom Memory for Organ and Percussion (1981); Spiritual Set (1974) –Lorna McDaniel, organ; Newman Baker and Dill McDaniel, per (1979 Rieger/First Unitarian Church, Wilmington, DE) Adama LP-001 (nla)
NOEL DaCOSTA: Triptich (1973) –Mickey Thomas Terry, organ (1994 Lively-Fulcher/Saint Patrick’s Catholic Church, Washington, DC) MPR Archive
GEORGE WALKER: 3 Pieces (Elevation; Jesu, wir sind hier; Invokation) –Mickey Thomas Terry, organ (1970 Aeolian-Skinner/National Presbyterian Church, Washington, DC) Albany CD-136
EUGENE HANCOCK: 5 Spirituals (We are climbing Jacob’s ladder; Swing low, sweet chariot; Go, tell it on the mountain; My Lord, what a morning!; Joshua fought the Battle of Jericho) –Robert Scoggin (1958 Möller+Sipe rebuild/Christ United Methodist Church, Rochester, MN) Pipedreams CD-1002
This program was originally issued as #9507 in February 1995.