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1998 Fritts organ at Pacific Lutheran University, Tacoma, WA
This week we'll listen to musical creations based on both familiar and newly formed tunes. One of the most common forms of composition for the King of Instruments, composers have frequently demonstrated their craftsmanship with these lyric morsels.
CESAR FRANCK: Choral No. 3 in a –Jeanne Demessieux (1846 Cavaillé-Coll/Madeleine, Paris) Festivo CD-155/6 (www.ohscatalog.org)
PERCY WHITLOCK: Fantasie Choral No. 1 –Graham Barber (1933 Willis/Hereford Cathedral) Priory CD-525 (www.priory.org.uk)
JOHANN PACHELBEL: Choral Partita, Christus, der ist mein Leben –Jobst-Hermann Koch (1968 Steinmann/St. Nicholas Church, Lemgo) Pro Musica CD-1999 (gjhkoch@yahoo.de)
SIGFRID KARG-ELERT: Symphonic Chorale, Ach bleib mit deiner Gnade, Op. 87, no. 1 –Hans Fagius (1928 Frobenius/Århus Cathedral, Denmark) Bis CD-1084 (www.qualiton.com)
KARG-ELERT: Corale, Op. 154. No. 8 –Susan Ferré (1998 Fritts/Pacific Lutheran University, Tacoma, WA) Gothic CD-49211 (www.gothicrecords.com)
JOSEPH AHRENS: Regina coeli -Maria Giese (1972 Kleuker/Herz-Jesu Church, Zehlendorf) Christophorus CD-77120
MAX REGER: Chorale Fantasy, Wachet auf, ruft uns die Stimme, Op. 52, no. 2 –Wolfgang Rübsam (1912/2002 Stahlhuth-Jann/Saint Martin zu Dudelange, Luxembourg) IFO CD-115 (www.ohscatalog.org)